18,976 Royalty-Free Audio Tracks for "Of Music"

Master Madan's song Yun Na Reh Reh Kar Hamein Tarsaiye

Ort: Vapsten (sameby) / Tärna (socken)

Symphony No. 4 in A Major, Op. 90 'Italian' - IV. Saltarello (Presto)

Tchaikovsky Symphony No.3 in D major II. Alla Tedesca (Tchaikovsky) European Archive

Berlioz Toscanini Scherzo de la reine Mab cymbales antiques

Beethoven Piano Sonata Op 22, 2nd movement, bars 30-32

A poem from wikisource:Cornhuskers by w:Carl Sandburg, read aloud on LibriVox by Betsie Bush. Divided into poems by User:Quadell

Downtown rio de janeiro brazil. Busy sidewalk with some music in background.

Made for my video gametool: garagebandkeyboards: dreamy bells, beautiful synth harp, bell string pad, galactic starfield.

In countries like japan and china the cherry tree blossom is known as the ultimate expression of beauty in nature. Also, the cherry tree blossom symbolizes the beauty of poetry, dance, music and love.

Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.

Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.

Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

Grave major sixth on C (A-), 400/243, 862.85 cents.

Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

The Army Goes Rolling Along, performed by the U.S. Navy Band Ceremonial Band

The New Colonial March by Robert Browne Hall, performed by the United States Navy Band Ceremonial Band

Julius Fučík's 1907 march The Florentiner March (Florentinský pochod), recorded by the U. S. Navy Band for the album "World Class Marches"

The "Kaiser-Friedrich-Marsch" by Carl Friedemann, played by the United States Marine Band around 1909.

Sacher hexachord: E♭ (Es) A C B (H) E D (Re). Created by Hyacinth (talk) 00:13, 1 December 2010 in Sibelius 5.

Oboe Concerto in C K.314 271k I. Allegro (Mozart) European Archive

Richard Wagner: Parsifal - Prelude Act 1. conductor Karl Muck, Bayreuth Festival Orchestra.

Symphony No.18 in F Major K. 130 I. Allegro (Mozart) European Archive

Complete vocal version of the Mexican national anthemVersión vocal completa del himno nacional mexicano

Mozart Symphony No.19 in E flat major I. Allegro (Mozart) European Archive

Mozart; Piano Concerto No. 27, 1. Allegro

Sansoen Phra Barami (male and female choir) B.E. 2445 ไทย: เพลงสรรเสริญพระบารมี พ.ศ. ๒๔๔๕ (ชายหญิงร้องร่วมกัน)

Riff acoustic guitar with maracas!. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Used as transition between scenes for a play. The chord is unusual but essentially a minor chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

An amazing and great sounding orchestra hit for your music!. Samples and instruments created with the soundfont sgm v2. 01. Software = audacity. Sequencing device: midi creating software.

1/8 quantized 120 bpm basic dance music pattern. Most commonly these are made using 1/16 or 1/32. I wanted to make something different.

Ausschnitt aus dem Triumphmarsch in Verdis Oper Aida. Zu hören sind die Aida-Trompeten.

Scarborough Fair arranged for 2 flutes and harp with 2 variations "Scarborough Fair" arrangiert für 2 Flöten und Harfe mit 2 Variationen

Mozart Concerto No.16 in D for piano I. Allegro assai (Mozart) European Archive

Horror music to play on the background of horror themed projects. Created by using a synthesizer and recorded with magix studio.

boo (i got you good) is made in garageband for a thing called victors crypt. I'm currently in a beat 'n bass-mode it appears. Made this drums on a vintage-sounding drum-machine and added some sampled drums for a more vital sounding beat. Wanted a cocky big bass-line and some spooky music box stuff, sci-fi synth and more. It's space and horror meeting groove i guess. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

Mandoline, mélodie composée en 1882 par Claude Debussy (1862-1918) sur un poème de Paul Verlaine (1844-1896), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Mandoline, a melody composed in 1882 by Claude Debussy (1862-1918), text by Paul Verlaine (1844-1896), performed in 1913 by Nellie Melba (1861-1931).

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: K.E. Forsslund - Med Dalälven från källorna till havet I.6: nr 18 s. 145 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:1:2

Sergei Rachmaninoff performing Waltz in E flat major, Op. 18. Composer: Chopin. Instrument: Steinway concert grand piano. Valse en mi bémol majeur, op. 18 de Chopin, interprétée sur un grand piano Steinway par Sergei Rachmaninoff en 1921.

1 Ruffle and Flourish - Last 32 of The Stars and Stripes Forever"" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 42 from disc 1 of Ceremonial Music (2005).

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 85 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:1:4

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Hänvisning till tryckt litteratur: Esaias Tegnér: Frithiofs saga Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:57:7

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Hänvisning till tryckt litteratur: Esaias Tegnér: Frithiofs saga Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:57:6

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 337:8 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:6:2

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet